With his cloud machines, Yo-Yo Gonthier attempts to take us elsewhere, to figuratively take off. In his approach to his work, the border between elements is often fluid: the marine animal becomes the inspiration for a flying machine. He takes as his video protagonist the Cloud, this sculpture of fabric of several meters realized in 2013 and reactivated several times during performances whose preparation can be found in the photographs of notebooks and models.
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In this video, a visual epic shot with a Super 8 camera, Yo-Yo Gonthier brings together the whimsical dreams of an artist as a brilliant inventor and the semantic richness rooted in the history of vernacular customs that touch both the artist's personal history and that of a part of Africa.
![vue esprit 5 vue esprit 5](http://www.lecoindesmots.com/fondecran13/achblog.com-3D---Vue-D-esprit-251390.jpg)
Image : Vincent Michéa, François Lougah, 2015 et Fax Clark, 2015
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L'artiste a peu à peu constitué une anthologie visuelle des musiques d'Afrique de l'Ouest, consignant à travers l'histoire personnelle de ses rencontres et affections pour ces musiques, celle plus générale d'une culture populaire dont certains pans ont aujourd'hui disparu. Depuis plusieurs années, Vincent Michéa peint à l'acrylique des pochettes de vinyle, comme ceux de Fax Clark et de François Lougah. Les groupes Orchestra Baobab et l'Etoile de Dakar créés dans les années 1970 évoquent l'histoire musicale d'un Sénégal à la croisée des cultures. Playing on the inside/outside of the gallery, the height of the picture rails and the scale of the volumes, the works weave poetic links between them according to the artists' imaginations and approach each other without imposed order to invite us to think about new itineraries.Īux premières notes de cette symphonie visuelle, les toiles de Vincent Michéa font résonner une fièvre dakaroise pas si lointaine. L'Esprit is here a living force that pulls us towards an elsewhere as much as it brings this elsewhere to us to open other horizons - spiritual ( Ouattara Watts, Dalila Dalléas Bouzar, Jems Koko Bi), imaginary and utopian/dystopian ( Yo-Yo Gonthier, Sadikou Oukpedjo), historical and cultural ( Vincent Michéa, François-Xavier Gbré and Dimitri Fagbohoun).Īfter Chapter I, the group exhibition travelled from Dakar to Abidjan, in order to enhance the aesthetic resonance of the works through a conversation between two exhibition spaces, two publics, two cities. For this second chapter, the artists' installations change scale and respond to their new in situcontext. In the exhibition, the artworks commingle without imposing any order they converse at the discretion of the artists' imaginations. From one to the other, they suggest new itineraries. L'Esprit du large (The Spirit of the open sea) is an invitation to see far away, to widen our horizons and knowledge, and to trade at the crossroads. If you devote some of your time to analyzing other ESPRIT alternatives you will surely find other programs with similar or possibly higher ratings.Abidjan, Côte d'Ivoire L'Esprit du large, chapitre II. Actual customers of ESPRIT have an average satisfaction rating with the product at 98% which shows their attitude towards this solution. Our panel of B2B experts have evaluated ESPRIT with a total rating of 6.4/10 after a period of detailed tests. Signing up for a plan is a long-term investment and it begins with locating the most reliable software. FinancesOnline unique review and comparison tool allows you to make this very simple and fast so you can decide which product to buy based on meaningful insights, not guesswork.
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